In the mid-16th century, Jerusalem underwent a remarkable transformation at the hands of an Armenian architect who would leave an indelible mark on the historic city. Mimar Sinan, known as the ‘Builder’, was appointed by Ottoman Sultan Selim the Grim in 1537 to revitalize Jerusalem and bolster its defenses. The city, revered by many, was to receive a facelift that would not only enhance its aesthetic appeal but also fortify it against the era’s tumultuous political landscape.
Sinan, a master of engineering and architecture, embarked on an ambitious project that would test his skill and creativity. His comprehensive work involved the repair and construction of Jerusalem’s city walls, an undertaking that would redefine the city’s silhouette against the sky. The fortifications included not just the walls themselves but also the nine gates that served as points of entry and exit, along with 17 machicolations—stone projections from which defenders could observe or attack assailants below.
However, Sinan’s vision extended beyond mere defense. He turned his attention to one of the city’s most iconic structures, the Haram el-Sharif, also known as the Dome of the Rock. With meticulous care, he restored both the interior and exterior of this venerated building. His decorative choices were exquisite, importing blue and white tiles from Iznik, Turkey, which lent the walls a striking and majestic appearance that visitors still admire today.
But Sinan’s ingenuity wasn’t limited to visual enhancements. He implemented a water supply system that was nothing short of revolutionary for its time. Roadside fountains, a hallmark of Ottoman urban landscapes, were also introduced, bringing the soothing sound and cool respite of water to the city’s inhabitants and pilgrims.
The project was immense, and funding was as crucial as the vision. The financial support for this grand endeavor came from taxes levied in Egypt, reflecting the importance the Ottoman Empire placed on Jerusalem’s status and wellbeing.
The work took two years to complete, from 1537 to 1538, and the result was nothing short of spectacular. European travelers of the time hailed Jerusalem’s city walls as “the most complete and finest… built anywhere in the world in the 16th century.” This was a testament not only to Sinan’s expertise but also to the cultural and historical significance that the Ottomans placed on the city.
Today, the contributions of Mimar Sinan to Jerusalem are a testament to the fusion of function and art. His work stands as a lasting tribute to the architectural genius that not only defined an era but also enriched a city that sits at the crossroads of history and faith. Visitors to Jerusalem can still witness and admire the fruits of Sinan’s labor, which have endured through the centuries, and will likely continue to do so for many more. Through his work, Sinan not only reshaped a city but also left a legacy that transcends time, serving as a bridge between the past and the present.
Artatsolum
Source: keghart.org
