In the historical library of the Armenian manuscript in New Julfa, Isfahan, Iran, lies a captivating illustration by the artist Yovannes of Bekri. This detail from the Nativity of Christ features the Biblical Magi, whose faces, according to experts Patrick Donabedian and Jean-Michel Thierry, symbolize the three ages of man.
The illustration is rich with cultural and linguistic symbolism. The kings are labeled in Armenian: Melkon (Melchior), Gaspar (Casper), and Belshazzar. Notably, Belshazzar, believed in Christian legend to be the king of Arabia, is adorned with garments inscribed in imitation Arabic letters. This detail aligns with his supposed Arabian heritage.
However, the mystery deepens with Gaspar and Melkon. Despite Gaspar hailing from India and Melkon from Persia/Iran, their garments feature inscriptions in Armenian. The reason behind this artistic choice remains an enigma, inviting speculation and further study.
This illustration not only showcases the artistic prowess of Yovannes of Bekri but also reflects the intricate interplay of cultures and languages in Armenian art. It stands as a testament to the rich heritage preserved in the Armenian manuscripts of New Julfa.
Learn more
Among the most arresting objects to survive from the Early Iron Age Near East are…
How a promise made to genocide survivors was traded away for peace with Ankara —…
A Fragment That Traveled Across Continents The gilt-silver medallion shown above — two richly dressed…
Few episodes in ancient Armenian history capture the imagination quite like the tradition that Hannibal…
Five angles of one small bronze figure — and what emerges is not an abstract…
Introduction Among the successor states that emerged from the fragmentation of the Achaemenid-derived Orontid (Armenian:…