In the historical library of the Armenian manuscript in New Julfa, Isfahan, Iran, lies a captivating illustration by the artist Yovannes of Bekri. This detail from the Nativity of Christ features the Biblical Magi, whose faces, according to experts Patrick Donabedian and Jean-Michel Thierry, symbolize the three ages of man.
The illustration is rich with cultural and linguistic symbolism. The kings are labeled in Armenian: Melkon (Melchior), Gaspar (Casper), and Belshazzar. Notably, Belshazzar, believed in Christian legend to be the king of Arabia, is adorned with garments inscribed in imitation Arabic letters. This detail aligns with his supposed Arabian heritage.
However, the mystery deepens with Gaspar and Melkon. Despite Gaspar hailing from India and Melkon from Persia/Iran, their garments feature inscriptions in Armenian. The reason behind this artistic choice remains an enigma, inviting speculation and further study.
This illustration not only showcases the artistic prowess of Yovannes of Bekri but also reflects the intricate interplay of cultures and languages in Armenian art. It stands as a testament to the rich heritage preserved in the Armenian manuscripts of New Julfa.
Learn more
A small, weathered piece of fired clay — barely 31 centimeters tall — sits today…
Pendant (Amulet) in the Shape of a Human Hand | 7th–6th centuries BC | Yeghvard…
Introduction The duduk (Armenian: դուդուկ)—traditionally known as tsiranapogh (ծիրանափող, “apricot-wood pipe”)—is one of the most…
Perched on the rocky peninsula of Lake Sevan, the medieval monastery of Sevanavank preserves one…
Reconsidering the Language and Sacred Heritage of Urartu in Armenian Historical Thought For more than…
Among the earliest known states of the Armenian Highlands, few are as historically important as…