Categories: Culture

Martiros Saryan – Church of Karmravor

In the city of Ashtarak, Aragatsotn Province, there is the small and beautiful Church of the Holy Mother of God (Surb Astvatsatsin). It was constructed in the 7th century by the priests Manas and Grigor. The church is colloquially known as Karmravor Church, with “karmravor” meaning “reddish” in Armenian.

The cross-domed Church of Karmravor is the only architectural monument in Armenia whose tiled roof has survived to the present day. Such durability has been possible thanks to a reliable method of construction – the tile was first firmly pressed into mortar and then nailed in place.

Along the perimeter of the church walls, a carved-out inscription runs, telling about the inhabitants of the village whose donations it was built on. The inscription also mentions the difficulties encountered during the construction of an irrigation canal.

In the album “Museum of Martiros Saryan” released in 1973 by the publishing house “Soviet painter”, we can find painter Martiros Saryan’s reproduction of the painting “Ashtarak. Church of the 7th century Karmravor.” In the preface, Shahen Khachatryan, a scholar of Saryan’s works, writes about this work:

“At the age of 76, Saryan painted the landscape ‘Ashtarak. Church of the 7th century Karmravor’ in one session. In the background is Mount Aragats, which isn’t there in reality.

The artist included the mountain in the composition to emphasize the connection of simple architectural forms of the building with the shape of the mountain. In the painting, the artist represents the unity of humans, creativity, and nature.”

Hripsime Galstyan

Martiros Saryan. “Ashtarak. Church of VII century Karmravor “, 1956

ԿԱՐՄՐԱՎՈՐ ԵԿԵՂԵՑԻ – KARMRAVOR CHURCH

Vigen Avetisyan

Recent Posts

Hannibal and Artaxias the Great: The Carthaginian General Who Helped Build the “Armenian Carthage”

Few episodes in ancient Armenian history capture the imagination quite like the tradition that Hannibal…

3 days ago

The Priestess of the Kingdom of Van: A 9th-Century BC Bronze Figurine in the British Museum

Five angles of one small bronze figure — and what emerges is not an abstract…

2 weeks ago

The Winged Sun and the Armenian Tiara: Royal Symbolism of the Orontid (Yervanduni) Kingdom of Commagene, 163 BC – 72 AD

Introduction Among the successor states that emerged from the fragmentation of the Achaemenid-derived Orontid (Armenian:…

2 weeks ago

A Bronze Age Vessel from Gardman: Solar Symbolism, the Sun-Cross, and the Sacred Landscape of Ancient Armenia

Article based on the explanations and interpretive observations of Angela Terian, with additional archaeological and…

2 weeks ago

Rewriting the Caucasus: A Documented Look at Azerbaijan’s Historical Revisionism Regarding Armenia

Lenin: Soviet nationalities policy, Azerbaijan SSR founded 1920, Stalin: Constitution and census fix the ethnonym…

3 weeks ago

A Painted Wall from Ancient Armenia: The New Erebuni Fresco and the Urartian-Armenian Continuity

An unprecedented find on Arin Berd hill On 23 July 2026, the French Embassy in…

3 weeks ago