Categories: CulturePeople

Mher Mkrtchyan – I Have an Ordinary Biography

“I have an ordinary biography. I was born to a family native to Mush. The great Armenian artist Martiros Saryan once asked me, drawing my portrait: ‘Where are you from, Mher?’ I replied: ‘My father is from Mush, mother from Van. I was born in Leninakan, so who am I?’ The master pondered and said: ‘Listen, boy, you are a real Yerevantsi!’

The fate of an Armenian! My father and mother had miraculously escaped death during the Armenian Genocide. They were orphans living a difficult and terrible childhood. They carried their fear through their life.

Father, Mushegh, was laconic and patient. But if he suddenly exploded, heavy silence reigned in the house. We tried not to move, spoke in a whisper. One time, he got angry and left the home, saying: “I will not come back… I will never come back again.” We waited, waited for him for a very long time.

My father wanted me to become an artist, but I had already participated in many theatrical performances in the club. He was angry, demanding that I leave the theater. He never attended the performances in which I played. Painting, painting only!

He worked as an apprentice in a textile factory. In the difficult post-war years, he bought a special notebook for drawing and strictly, demandingly, ordered me to redraw pictures from textbooks into it. Once, instead of the “task” given by father – the cavalry hero Chapayev – I painted a portrait of the writer Turgenev (by changing the dates under the portrait).

My father looked and said: “Don’t you dare to think that I won’t distinguish Chapaev from Turgenev!” And he slapped me with such strength that I still have ringing in my ear.

He himself painted a flower all his life. Only one flower!

Years have passed. Once, I was told that father is in the auditorium. I got embarrassed. The curtain fell slowly. Backstage… I hadn’t seen him for a long time. He seemed aged. He came closer to me: ‘Lao [boy, guy], I want to sit with you this night…’ I remember that night as if it was yesterday.

He talked about difficult and long roads, cold dawns, crowds of homeless people (he, like many, went through the camps of Siberia). And about that stone, behind which he hid from the Turks as a child… And about his father’s song in that distant April dawn: ‘They wanted to erase us from the earth, but they only managed to massacre us.’”

An excerpt from the book “The Eternal Monologue” by Mher Mkrtchyan.

• When I was born, everyone laughed, and I cried. When I die, everyone will cry, and I will laugh.
Vigen Avetisyan

Recent Posts

Azerbaijan’s Cultural Propaganda Against Armenian Heritage: Evidence, Mechanism, and the Cost to the Peace Process

What independent observers are documenting The most systematic data on the fate of Armenian monuments…

1 day ago

Dadivank and Gandzasar: Two Armenian Monasteries, and the Manufactured Case Against Them

On September 12, 2026, a delegation of some 150 diplomats and representatives from 58 countries,…

3 days ago

The September Days: How the Armenians of Baku Were Massacred in 1918

On September 15, 1918, the oil city of Baku fell to a joint Ottoman-Azerbaijani force,…

5 days ago

From Akroinon to Afyonkarahisar: The Ruined Armenian Church and the Erasure of a 3,000-Year-Old Christian Presence

A case study in the systematic destruction of Armenian heritage in Turkey and Azerbaijan The…

1 week ago

Trampling Through the Centuries: How Baku-Accredited Diplomats “Toured” Gandzasar

On September 11–12, 2026, around 150 diplomats from 58 countries accredited in Baku took part…

1 week ago

Subartu: The Forgotten Northern Deep of Armenian History

A name from the world's oldest archives Long before Urartu, long before "Armenia" appears in…

1 week ago