History

The St. Poghos-Petros Church, in the core of Yerevan

The church, renowned among the landmarks of Yerevan, was often chronicled by European travelers journeying through the city. Its austere architectural design classifies it as a domeless three-nave basilica, typical of the 5th-6th centuries.

Interestingly, while the church’s inception is attributed to the 5th century, excavations during its demolition revealed remnants of an even older structure. Beneath lay the foundations of a grand pagan temple and its encompassing walls, indicating that as early as the 3rd century, a significant religious site had been established here.

This pagan temple was later transformed into a Christian sanctuary in the 5th century. Historical records suggest that renovations were undertaken in both the 7th and 12th centuries. However, a devastating earthquake in 1679 laid waste to this revered structure, along with other temples in the vicinity. Efforts were made to revive its glory, and by the 19th century, the church had been meticulously refurbished.

Tragically, in the early 1930s, the St. Poghos-Petros Church, nestled in the core of Yerevan, fell victim to the relentless bulldozers of the Bolshevik regime. This, despite fervent public outcry. In its place now stands the Moscow cinema, a stark reminder of a heritage lost.

Artatsolum

Vigen Avetisyan

Recent Posts

Abandoned by an Ally: The French Armenian Legion in Cilicia and the Road to the Smyrna Catastrophe

How a promise made to genocide survivors was traded away for peace with Ankara —…

14 hours ago

The Vilgort Cup: A Silver Masterpiece of Cilician Armenia (c. 1150–1159 A.D.)

A Fragment That Traveled Across Continents The gilt-silver medallion shown above — two richly dressed…

3 days ago

Hannibal and Artaxias the Great: The Carthaginian General Who Helped Build the “Armenian Carthage”

Few episodes in ancient Armenian history capture the imagination quite like the tradition that Hannibal…

1 week ago

The Priestess of the Kingdom of Van: A 9th-Century BC Bronze Figurine in the British Museum

Five angles of one small bronze figure — and what emerges is not an abstract…

3 weeks ago

The Winged Sun and the Armenian Tiara: Royal Symbolism of the Orontid (Yervanduni) Kingdom of Commagene, 163 BC – 72 AD

Introduction Among the successor states that emerged from the fragmentation of the Achaemenid-derived Orontid (Armenian:…

3 weeks ago

A Bronze Age Vessel from Gardman: Solar Symbolism, the Sun-Cross, and the Sacred Landscape of Ancient Armenia

Article based on the explanations and interpretive observations of Angela Terian, with additional archaeological and…

3 weeks ago