Categories: CultureNews

Russian R&B And Armenian Rabiz In The Heart Of The Undemanding Armenian Listener

Today, the absolute favorites of the Armenian music listener are the so-called rabiz (pop with oriental motifs) and Russian R&B like that of Black Star. Such compositions are attracting thousands of people in Armenia, and the views of the clips of Armenian rabiz performers are several times higher than the views of other music videos.

For example, this year, Armenian singer Shprot stood out with her vulgar video clip. And generally, she is known in Armenia for interpreting folk songs in a club, vulgar fashion. Besides, Arman and Lilit Hovhannisyan with their Indian (if you can call it that) motives have already gained 19 million views.

Last year, Timati gave a concert in Armenia, gathering about 45 thousand people in the very center of Yerevan, on the Republic Square. He was sincerely amazed that so many people came. On his Instagram page, Timati among other enthusiastic remarks wrote that “such platforms and such an audience are the dreams of any artist.”

For comparison, on the eve of the centennial of the Armenian Genocide in 2015, a concert by the world-famous Armenian group System of a Down, a world-wide event that attracted fans from all around the world, gathered 50 thousand people on the same square – not that much more than Timati.

Interestingly, Timati is not allowed into Dagestan due to a conflict between him and some Dagestanis – in particular, famous MMA fighter Khabib – because they don’t want “immoral music” to play in their republic. “We are solely responsible for the future of the republic,” said Khabib.

In this regard, the society of Russia got divided into two camps. Well-known public people and the President of Chechnya Ramzan Kadyrov joined the debate as well. In response, Timati stated that “no one can tell him where to give and where not to give concerts”, but his concert was still canceled.

Meanwhile, the artists of Black Star were preparing for the next trip to Yerevan (ticket prices were from 5 thousand to 50 thousand drams) where they would be very warmly greeted.

Every year, the tastes of the Armenian listener become more and more simplified. It seems that you can’t go simpler, but then, something new appears, further fascinating Armenian hearts.

Armenia is a free country, and everyone has the right to listen to what they want, but we should think about what prospects the society has in the near future with such musical preferences.

Anna Khalatian, armat.im

Timati and Yerevan 2015
Timati and Yerevan 2017 (concert on the Republic Square)
Vigen Avetisyan

Recent Posts

Azerbaijan’s Cultural Propaganda Against Armenian Heritage: Evidence, Mechanism, and the Cost to the Peace Process

What independent observers are documenting The most systematic data on the fate of Armenian monuments…

4 days ago

Dadivank and Gandzasar: Two Armenian Monasteries, and the Manufactured Case Against Them

On September 12, 2026, a delegation of some 150 diplomats and representatives from 58 countries,…

6 days ago

The September Days: How the Armenians of Baku Were Massacred in 1918

On September 15, 1918, the oil city of Baku fell to a joint Ottoman-Azerbaijani force,…

1 week ago

From Akroinon to Afyonkarahisar: The Ruined Armenian Church and the Erasure of a 3,000-Year-Old Christian Presence

A case study in the systematic destruction of Armenian heritage in Turkey and Azerbaijan The…

2 weeks ago

Trampling Through the Centuries: How Baku-Accredited Diplomats “Toured” Gandzasar

On September 11–12, 2026, around 150 diplomats from 58 countries accredited in Baku took part…

2 weeks ago

Subartu: The Forgotten Northern Deep of Armenian History

A name from the world's oldest archives Long before Urartu, long before "Armenia" appears in…

2 weeks ago