Film and theatre impresario par excellence John Housman wrote in “Unfinished Business”: “The main responsibility for designing our physical productions fell upon a discovery of Lincoln Kirstein’s—a slender, elegant young man with the resonant Armenian name of Rouben Ter-Arutunian.
He was born in Russia and reared in Germany; with his shaven head and the dark, liquid eyes of a doe, he resembled a figure in Persian miniature….he came up with a model that was startling in its simplicity and beauty and formed the basis of what came to be known as the ‘Festival Stage.’” Ter-Arutunian eventually became America’s leading theatrical and ballet set designer.
Tucked away in the greenery of the 2nd block of Yerevan's Nor Nork district, in…
Based on the Armenian-language essay "Երևանը տոն է. Արատտայից Երևան" ("Yerevan Is a Festival: From…
The combination of a crescent moon and a star is one of the most recognizable…
Among the most evocative artifacts to survive from the Armenian Highland's Late Bronze Age is…
Long before "clown" became a synonym for children's birthday parties, the word described a hardened…
Introduction The fresco reproduced above — three white-robed priests, one wearing a tall conical hat,…