Categories: HistoryPeople

Rustam Raza – Armenian – Napoleon’s Mamluk

No matter where Napoleon Bonaparte went to bed – in the Paris Tuileries or in the royal palace in some of the European capitals – Mamluk Rustam always stood a guard near the doors of his bedroom.

Rustam as a teenager had been acquired by Napoleon in Egypt from Sheikh El-Bekri in August 1799. By origin, he was an Armenian who had been enslaved by the Turks and sold to Egypt.

Many of the officers who participated in the Egyptian expedition — Eugène Rose de Beauharnais, Murat, Bessières, and many others — also bought Mamluk servants, but only Rustam enjoyed all-European renown.

He learned French military bearing and, as far as he could, French frivolity and windiness. At the basis of his popularity was an unparalleled costume sewn in accordance with Isabey’s (French painter) paintings. He wore a caftan embroidered with gold, a velvet turban – also gilded – a magnificent saber on a chic band, and pistols behind a satin belt.

Rustam was brave, observant, and quick in services, just as one would expect from a Mamluk.

The interest in Rustam was strongly fueled by French magazines and general people. The leading Parisian magazine “Moniteur” printed the reviews of the “savage” on the premieres of dramas. Every painter who wanted to improve their business hurried to draw his portrait, which was then reproduced in thousands of engravings.

But getting attention from Rustam and inviting him to painting sessions wasn’t easy. The stepdaughter of Napoleon Hortense de Beauharnais once took advantage of Rustam falling off of his horse to solicit several sessions from the bedridden hero. And to keep him from boring, she sang songs to him.

Every tourist hurried to see the celebrity. “Rustam has a beautiful figure and a good-natured expression on his face,” one of them wrote in his travel diary, “His complexion is not very dark. He is tall and burly.”

Rustam was accustomed to his fame, but he didn’t lose his temper and retained his attractive naivete. His prestige survived until the fall of Napoleon, despite the ridiculous attempts of the royalists to attribute ferocity and the role of an executioner to him in the years of the French Emperor.

Rustam died in 1845, leaving behind interesting notes titled “My life next to Napoleon: Memoirs of the Mamluk Rustam Raza, an Armenian.”

© Sergey Tsvetkov

Rustam Raza – Armenian – Napoleon’s Mamluk. Jean-Baptiste Isabe (1767-1855) – French artist, master of miniatures and drawings.
Vigen Avetisyan

Recent Posts

The Turkish Pipeline: How Syrian Fighters Were Recruited, Moved and Deployed Against Armenian Forces in the 2020 Artsakh War

Image Source: 301.am For years, Ankara and Baku publicly denied that Syrian fighters had any…

2 days ago

Tork Angegh: Storm, Stone, and the Oldest Face of the Armenian Pantheon

Long before Armenia's kings raised churches over pagan sanctuaries, before Hellenism folded Vahagn into Herakles…

7 days ago

The Goat on the Armenian Highland: A Symbol Older Than Writing

Introduction Long before Urartian kings inscribed their names in cuneiform on the cliffs of Van,…

1 week ago

“Summon Against Her the Kingdoms of Ararat”: Urartu-Armenia in the Prophecy Against Babylon

A Coalition Beneath the Mountain Among the oracles of judgment collected in the Book of…

2 weeks ago

The Tower That Never Left Us: From the Susi Shrine of Ancient Van to the Obelisk Above the Yerevan Cascade

If you have ever climbed the Cascade in Yerevan and looked up at the tall,…

2 weeks ago

Hayravank Monastery: The “Father Monastery” of Lake Sevan and the Legend of the Doves

On a rocky promontory above the southwestern shore of Lake Sevan, at an elevation of…

2 weeks ago